| The film was
telecined to BetaSP and digitized with a DPS Perception VR.
Almost every line of dialogue was replaced
from wild tracks recorded during shooting. Some of the actors'
performances were so consistent that little phoneme nudging was
required.
All sound was replaced from ambient
tone, Foley, and libraries. I laid in around 210 sound cues for
the entire eight–minute edit.
The swish-dolly into the keyhole was
created by shooting 35mm stills of the door and keyhole, placing them in
front of footage of Death within Lightwave, and rendering a camera move
with motion blur.
The "death head" shot was a multi
– layer
composite of the original plate, a 3D model skull, and lighting control
elements so his eyes would be the last to disappear.
|