A collection of commercial and web spots.

Writer / director Mark Henderson came to me with his creative concept for a Dorito's spec spot. I thought it was fun and clever enough to spend a couple pro-bono days on.

We scheduled the shoot over one day with only the sun and reflectors, using the vastly shifting fall-season light to creative effect. Note the use of late-afternoon light on the moments when our hero is in the "magical realm" of pursuing the cart.

Mark and I recorded some Foley of the shopping cart and I cut, graded, and sound designed the finished :30 spot.

I shot this fun spec spot for director, Christian Clark and producer, Angela Trevino. It reached the finals in the MoFilm spot competition.

I shot this evocative product spot for director, Glenn Martin. A black-out stage and stark edge lighting created the drama. Shot in color, Glenn isolated key elements in color to create more impact.

Creative company, Invodo, hired director, Christian Remde, and me to shoot the live elements for the release of the Blackberry Torch smartphone.

Producer/Director, Glenn Martin, asked me to shoot this duo of quirky regional spots featuring a slightly off pitch-man.

Producer/Director, Glenn Martin, asked me to shoot this duo of quirky regional spots featuring a slightly off pitch-man.

I shot this trio of regional spots for producer/director Glenn Martin. With insufficient budget for locations and Glenn handling post-production, we shot these on green-screen (with a partial set for the "Doorbell" spot. After Glenn researched stock photos for the background plates, I lit the talent to match, assuring a seamless picture.

And, yes, that's me in the "Fast" spot.

I shot this trio of regional spots for producer/director Glenn Martin. With insufficient budget for locations and Glenn handling post-production, we shot these on green-screen (with a partial set for the "Doorbell" spot. After Glenn researched stock photos for the background plates, I lit the talent to match, assuring a seamless picture.

And, yes, that's me in the "Fast" spot.

I shot this trio of regional spots for producer/director Glenn Martin. With insufficient budget for locations and Glenn handling post-production, we shot these on green-screen (with a partial set for the "Doorbell" spot. After Glenn researched stock photos for the background plates, I lit the talent to match, assuring a seamless picture.

And, yes, that's me in the "Fast" spot.

One of a series of regional spots I produced, directed, DP'd, composited, edited, and sound designed - pretty much soup-to-nuts. Drawing on the over-the-top delivery of regional attorney spots, Tony and I stepped up the look beyond the typical production values of his competitors in the space.